Saturday, October 31, 2009

Happy 50th Birthday, Vogue Australia!


This has undeniably been a year of milestones. London Fashion Week celebrated its 25th season. Cosmetics giant, L'Oreal, celebrated 100 years of beauty. My boyfriend's grandparents celebrated 50 years of marriage. And one other entity celebrated 50 glorious years: Vogue Australia.


To commemorate the occasion, Kirstie Clements, Editor-in-Chief of Vogue Australia, put forth an impeccable tour de force of a magazine. The September issue is graced by drawings of one of Australia's greatest actors, Cate Blanchett, in four different illustrations each by the London-based artist David Downton.


What I loved most about this issue were the many tributes to Australian fashion, culture, film, literature, and art. Australia is not often a fixture on the international scene, so it was terrific to learn so much about the country in a single issue. In a sense, the September issue could be treated as a reference guide for one wanting to learn more about the country. Even though my dearest friend is a bona fide expert on all things Australian, graciously educating her friends on the customs and manners of her adopted country, I still learned a few new things about Australia from this issue.


The issue also had insider perspectives from top Australian fashion editors, including the editor in chief. Ms. Clements, along with the fashion director, and other top positions on the masthead, reflected on their time with Vogue Australia and how each sort of fell into the position. Ms. Clements spoke of her world travels and how, at age 19, she returned to Sydney looking for a job. It just so happened that Vogue Australia was looking for a receptionist. Ms. Clements won the position and, ten years later, she wields the greatest power atop the masthead. Her message was particularly inspiring, even though she acknowledged that the industry has changed radically over the years and that the competition is now fierce. Indeed it is!


To pay homage to the great "Aussie cossie," Ms. Clements commissioned international designers to come up with their own version of the iconic Australian fashion piece. Karl Lagerfeld, Francisco Costa, and John Galliano all created swimsuits best reflecting the special joie de vivre of the Australian woman. In another tribute, Ms. Clements chose fifty of the best covers of the magazine.


Issues of Vogue Australia are expensive outside of Australia: $11 for each issue. The September issue, however, coming in at 360 pages, is unquestionably worth the eleven dollars. If you've ever wanted to learn more about Australian fashion, the September issue is your chance to do so. I can't think of a better way to celebrate fifty years of Australian culture than the triumphant September issue.


Thursday, October 29, 2009

America's Next Top Model Joins the Blackface Bandwagon



Hey Glamazons,

A Glamazon reader brought to my attention that in last night's episode of America's Next Top Model, Tyra Banks painted a white and Asian contestant black for their photo shoot. According to the Huffington Post:

"...in last night's episode, Tyra crossed the fine line from tasteless over to offensive when she put the remaining six contestants in ethnic garb and gave them biracial identities."
Tyra shot these six contestants in a sugarcane field in Hawaii, culturally significant because as she puts it, people traveled from different places to work there and procreated to develop blended races. In reference to the ethnic garb, Tyra explained that the clothes chosen aren't accurate representations of the way certain cultures dress, but merely "a fashion interpretation." Hmm. Does creativity negate the need for historical accuracy? Does it justify cultural insensitivity? Interesting...



Given my and lot of your heated reactions to another "fashion interpretation," the French Vogue Blackface photo shoot, I was sure that Tyra's photo shoot would be met with just as much hostility. Until I read another comment about the fact that Tyra has painted white and black contestants with Asian features for ANTM Cycle 3's shoot in Tokyo. See photos below.






I wonder if Asian, and specifically Japanese, women watching the show felt the same kind of outrage that many of our black readers did...or is this practice specifically hurtful to us given the sensitive history of blackface?

What do you think? Are the images from the ANTM photo shoot as offensive as that from French Vogue? Why or why not? Why was there an outrage among black women (and men) for the French Vogue photoshoot while the Asian population remained largely silent about the ANTM photo shoot? What's the line between art and racism? Does it differ depending on the race being "interpreted"?

Discuss.

Kisses,

Coutura



Photos: The CW. antmc3.blogspot.com

I want it.


Never, never, grows old. The Damaris bow knicker....its love.


Hidden Underneath.


Lovers of lingerie you must have this book in your boudoir! 'Hidden Underneath, A History of Lingerie' by Farid Chenoune, is the story of lingerie. Its pages are adorned with lace, glamour celebrities, editorials, and such interesting tales and facts. I spied it in Myla, and through over examination I recieved miscalculated looks from the shop assistants. However, well worth it.


Hot.hot.hot.


I have just discovered Australian swimwear brand Azzollini and it is hot! Lush. Beautiful photographic styling, the best I have ever seen for a swimwear brand. I want it all.....

http://www.azzollini.com.au/

Banger booster...really?



Banger hammock? This sounds a little worrying. I am a little unsure about Gok Wan's shapewear line, or perhaps more unsure about the language he is using to describe lingerie and the female form. Don't get me wrong, it does not offend me, colloquial language is the basis of buzz words and good marketing, but could he just not be a little elegant with his 'terms'?!

He can also credit to his name the 'super slicker knicker', 'boobylicious basque' and the 'sex kitten corset'. They all just remind me of tweenies hotmail addresses. His products are not cheap and nothing particularly new to the shapewear field, and so these names can certainly not be justified! Calm down Gok.

Wednesday, October 28, 2009

Through the Vogue Looking Glass...


Thanks to a new feature on Vogue.com, Inside Vogue, mere mortals are given a rare glimpse into the real-life closets of actual Vogue editors. If you've ever wondered what the fashion luminaries behind the scenes are wearing (when they're not at industry parties or gallery openings), Vogue has finally provided the antidote.

The feature is called "Five Days, Five Looks, One Girl" and it gives individual editors the opportunity to describe their unique fashion point-of-view through a week's worth of outfits worn to the office. This isn't just any office, mind you, so you can imagine how high my expectations were. The feature also sheds any illusions readers might have of the real world Vogue mimicking a set on "The Devil Wears Prada" or "SATC: The Movie." Um, not quite, but the fashion bar was still set very high.


Features Associate, Sophie Pera, contributed the inaugural five looks, and she certainly did not disappoint. I was immensely impressed with her creative approach and unique spin on basic pieces (bodysuits, sweatpants). This is exactly the kind of exemplary style one would expect from a junior Voguette. Oh, and those amazing bright orange plastic shoes?! I must find a pair!


Associate Fashion Editor, Veronica Gledhill, also displayed her high-fashion style, even if on a more subdued level than Ms. Pera. Ms. Gledhill, who explained that she only dresses in a spectrum of black, white, and cool gray, completely changed my mind on the virtues of dressing without colour (I previously thought that there were none). Ms. Gledhill challenged the notion that black can be too basic by wearing her garments in unconventional ways. A silk ivory slip was worn over a black dress, a scarf was looped around the waist and over the shoulders (completely transforming the ensemble), and metal hardware was burnished and textured to augment the effect. In short, Ms. Gledhill proved herself to be a beacon of style and certainly one to watch over the years.


The new Inside Vogue feature has reached even higher on the masthead with Sally Singer, Filipa Fino, and Sylvana Soto-Ward all contributing looks. Not surprisingly, some big fashion names were sported. Shoes by Manolo Blahnik and YSL. Miu Miu bags. Prada pants. Oscar de la Renta skirts. This is to be expected from the top of the masthead where the salaries are higher and the experience is greater, but I was a little disenchanted to find that even assistants had the funds for fashion's biggest names (granted, they were balanced out with pieces from American Apparel, Express, and Top Shop to name a few). I am certainly no math whiz, but a small salary plus NYC rent does not add up to YSL platforms in my mind...



Although the feature was dubbed "Five Days, Five Looks, One Girl," one editor in particular was given the opportunity to showcase not five but fourteen looks. Who could this editor be? Why Vogue's socialite-extraordinaire, Lauren Santo Domingo, of course. Not only did Vogue's shining social star (and contributing editor) offer a full week's worth of outfits worn during Fashion Week, she also offered corresponding day and night looks. Lauren Santo Domingo certainly proved why she is a fixture on Vogue's weekly best dressed list compiled by Style Director Alexandra Kotur.



If these looks weren't exciting enough for you, stay tuned. We just might see Anna herself profiled in "Five Days, Five Looks, One Editor-in-Chief."


(all images in this post are from Vogue's website, http://www.vogue.com/)









Monday, October 26, 2009

Lip gloss

Lip gloss is a cosmetic product used primarily to give lips a mildly glossy lustre and sometimes subtle color. It is distributed as a liquid or a soft solid (not to be confused with lip balm, which generally has medicinal purposes). It can be completely clear, translucent, or various shades of opacity, including frosted, glittered, and metallic looks.
The first commercially available lip gloss was Max Factor's X-Rated, launched in 1932. The original formula was sold up until 2003, when Procter and Gamble retired the product.
Lip gloss in a tube and wand applicator format
Like lipstick, lip gloss comes in a variety of forms and may be applied in different ways. It can be contained in a small cylindrical bottle and applied with a rounded or sloped applicator wand (known as a doefoot applicator), be applied with a built in lip brush, or a small tube designed for application with the fingertip. Solid glosses come in boxes and tubes, sometimes blurring the distinction between lip gloss and lip balm.
New types of 'plumping' lip gloss contain ingredients which make the lips appear softer and plumper. These are a cheap, easy, and harmless alternatives to collagen, Restylane, Juvederm, and/or fat injections, but are often not as effective. The effects are temporary and short-lasting.

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Lip gloss

Lip gloss is a cosmetic product used primarily to give lips a mildly glossy lustre and sometimes subtle color. It is distributed as a liquid or a soft solid (not to be confused with lip balm, which generally has medicinal purposes). It can be completely clear, translucent, or various shades of opacity, including frosted, glittered, and metallic looks.
The first commercially available lip gloss was Max Factor's X-Rated, launched in 1932. The original formula was sold up until 2003, when Procter and Gamble retired the product.
Lip gloss in a tube and wand applicator format
Like lipstick, lip gloss comes in a variety of forms and may be applied in different ways. It can be contained in a small cylindrical bottle and applied with a rounded or sloped applicator wand (known as a doefoot applicator), be applied with a built in lip brush, or a small tube designed for application with the fingertip. Solid glosses come in boxes and tubes, sometimes blurring the distinction between lip gloss and lip balm.
New types of 'plumping' lip gloss contain ingredients which make the lips appear softer and plumper. These are a cheap, easy, and harmless alternatives to collagen, Restylane, Juvederm, and/or fat injections, but are often not as effective. The effects are temporary and short-lasting.

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make your own lip gloss
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who invented lip gloss
lil mama lip gloss
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Lip liner

Lip liner is a cosmetic product. It is intended to fill uneven areas on the outer edges of the lips after applying lipstick, therefore giving a smooth shape. The product is usually sold in a retractable tube or pencil form. As an additional effect the lipliner prevents the lipstick applied thereafter from bleeding.
Lip Stain A lip stain is a cosmetic product that contains either water or a gel base. To help the product stay on the lips, many stains may contain alcohol. These lip coloring products are available in a variety of formulas, colors, and application types. The idea behind lip stains is to temporarily saturate the lips with color with a dye, rather than applying a colored wax to the lips to color them. A lip stain is usually designed to be waterproof so that the color will be long lasting, and once the stain dries, it should not smear, stain, wear unevenly, or transfer to the teeth. A lip stain may come in a bottle with an applicator which is used to brush the stain onto the lips, and it can also come in a small jar, with users applying the stain with a finger or a cosmetic brush.
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Lip liner

Lip liner is a cosmetic product. It is intended to fill uneven areas on the outer edges of the lips after applying lipstick, therefore giving a smooth shape. The product is usually sold in a retractable tube or pencil form. As an additional effect the lipliner prevents the lipstick applied thereafter from bleeding.
Lip Stain A lip stain is a cosmetic product that contains either water or a gel base. To help the product stay on the lips, many stains may contain alcohol. These lip coloring products are available in a variety of formulas, colors, and application types. The idea behind lip stains is to temporarily saturate the lips with color with a dye, rather than applying a colored wax to the lips to color them. A lip stain is usually designed to be waterproof so that the color will be long lasting, and once the stain dries, it should not smear, stain, wear unevenly, or transfer to the teeth. A lip stain may come in a bottle with an applicator which is used to brush the stain onto the lips, and it can also come in a small jar, with users applying the stain with a finger or a cosmetic brush.
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